Dhurandhar The Revenge is not merely putting up a huge India total. What makes its run truly significant is the way it has entered the elite club of all-time territorial grossers across the country. And when one studies the circuit-wise rankings, the bigger story becomes clear: this is not a film surviving on one or two strongholds. It is a film that has penetrated almost every major market in India and planted itself among the biggest theatrical performers of all time.
The biggest statement comes from Mumbai, where Dhurandhar The Revenge has collected Rs. 205 crores and currently stands at No. 4 on the all-time chart. That is elite company by any standard. The only films ahead of it are Chhaava (Rs. 265.44 cr.), Dhurandhar (Rs. 260.02 cr.) and Pushpa 2 – The Rule (Rs. 249.28 cr.). In the process, Dhurandhar The Revenge has gone past the mighty Baahubali 2 – The Conclusion (Rs. 191.58 cr.). That alone tells you the scale of this performance. Mumbai is not just any circuit; it is one of the most important theatrical barometers in the country. Crossing Rs. 200 crores here and entering the all-time top four means the film is no longer just a blockbuster. It is now part of the historic conversation.
What makes Mumbai even more fascinating is the franchise domination. Out of the top four all-time grossers in the territory, two belong to the Dhurandhar franchise. The original film is at No. 2 and the sequel is at No. 4. That is a rare kind of territorial control, and it shows that Dhurandhar is no longer just a successful brand; it has become a full-blown box office institution.
The Delhi-UP story is equally impressive, though with a slightly different nuance. Dhurandhar The Revenge stands at No. 5 all-time with Rs. 128 crores. The gap between it and Gadar 2 at No. 4 is just Rs. 0.97 crore, which means it is virtually breathing down its neck. Ahead of it are Stree 2 (Rs. 141.53 cr.), Pushpa 2 – The Rule (Rs. 179.23 cr.) and Dhurandhar (Rs. 182.9 cr.). Once again, the key story is franchise presence. In one of the most crucial Hindi-speaking markets in India, the Dhurandhar series now has two films in the all-time top five. That is an extraordinary achievement and a reflection of how deeply the franchise has connected with the Hindi belt.
Then comes East Punjab, and this is where the franchise flex becomes even more brutal. Dhurandhar The Revenge has already reached No. 2 all time in the circuit with Rs. 73.44 crores, behind only Dhurandhar at Rs. 95.5 crores. In other words, the top two all-time slots in East Punjab currently belong to the same franchise. That is not just success; that is territorial monopoly. East Punjab has historically rewarded films that generate intense passion and repeat-viewing value, and for Dhurandhar The Revenge to go straight to No. 2 proves that the sequel has not merely expanded on the first film’s goodwill. It has converted that goodwill into an all-time level box office event.
If the top-three territories tell the story of outright dominance, the rest of the country tells the story of remarkable depth. In CP, the film is already at Rank 6. In CI, it is at Rank 5. In Rajasthan, it stands at Rank 4. In Nizam/AP, it is at Rank 6. In Mysore, it has climbed to a superb Rank 3. In West Bengal, it is at Rank 6. In Bihar and Jharkhand, it is at Rank 4. In Assam, it is at Rank 6, while in Odisha, it is at Rank 9.
That spread is the real headline.
A film can occasionally become an all-time grosser in one circuit due to local overperformance. But when a film is sitting Top 6 in 11 major territories and Top 4 in several of them, that points to something much bigger: a genuinely nationwide phenomenon. Dhurandhar The Revenge is not behaving like a film dependent on one belt, one language zone or one emotional pocket. It is showing muscle across the map.
Among these rank-only territories, Mysore at No. 3 is especially notable. That is a podium finish in a key southern market, showing that the film’s appeal has stretched well beyond its home Hindi heartland. Rajasthan and Bihar-Jharkhand, both at No. 4, confirm its terrific pull in mass-driven North and Central circuits. CI at No. 5 and Nizam, West Bengal and Assam at No. 6 each indicate that the film has not left many territories untouched. The only relatively softer placement in the chart provided is Odisha at No. 9, which suggests that while the film has gone strong there too, there is still more room for it to climb compared to the nationwide frenzy seen elsewhere.
Another fascinating takeaway from the chart is that in the biggest circuits, the original Dhurandhar still remains the benchmark. It is ahead of the sequel in Mumbai, Delhi-UP and East Punjab. That tells an important story about franchise economics. The first film built the emotional foundation, created the loyal audience base and established the mythology. The sequel, meanwhile, has monetized that foundation at an extraordinary scale and turned the franchise into a pan-India power brand. So this is not a case of Part 2 simply replacing Part 1. It is a case of Part 2 taking an already mighty base and expanding it into a larger theatrical empire.
And that, perhaps, is the biggest achievement of all. The Dhurandhar franchise now has multiple entries among the greatest territorial grossers in India. In Mumbai, it owns two spots in the top four. In Delhi-UP, it owns two spots in the top five. In East Punjab, it owns the top two positions outright. Few Hindi franchises have ever commanded this kind of all-time territorial presence.
On the whole, Dhurandhar The Revenge’s position in the all-time territorial charts proves that its success is not just about a massive total but about the quality and breadth of that total. Mumbai has embraced it like an all-time giant, Delhi-UP has placed it among the legends, East Punjab has almost surrendered to the franchise, and the rest of India has pushed it into the top tier across the board. This is no longer merely a blockbuster run. It is the map of a franchise that is beginning to look untouchable.
