TADAP TADAP the song starts unplugged and from 0.05 and 0.13...a RAAGA instrument…
TADAP TADAP the song starts unplugged and from 0.05 and 0.13...a RAAGA instrument plays...HUMNASHE...is soothing... ...from 0.24...the OOOO OOOO...is the core melody of the mukhda...from 0.26...the regular piano keys play...until 0.33... ...followed by great tune tur until 0.43...after which a RAAGA tune plays again...note the twist in OOOOO at 0.38... ...the beat skips itself in the unplugged part... ...from 0.46...a bazz metal instrument plays followed by regular piano keys and later joined by tune sur... ...at 1.19...note the impact of TADAP...that is sung arroganty... ...from 1.22 to 1.24...a very cute tune plays... ...from 1.28...1.34...the bazz trumpet plays... ...at 1.39...a lovely tune piece plays...3 keys...up 2 notes up 2 notes up 3 notes...awesome... ...the OOOOO (echo effect) at 1.44 to 1.45 is the BEST of all the OOOO in the song... ...the heavy drum beats also hit in between at gaps in the OOOO part...like after one second... ...tulsi joins...at 2.04...TADAP(emphasis)...at 2.10...HASRAT(melody emphasis)...from 2.12...bazz trumpet plays again...himesh croons OOOO again... ...the OOOO effect has resemblance of SAMJHO NA...in some part... ...between the mukhda and 1st antara...the raaga tune plays... ...1st stanza...note the echo effect in the ending of the slogan like words (left abruptly) MEIN-EME-EME-EME followed by bazz trumpet... ...himesh gets soothing from 3.35 to 3.43... between 1st and 2nd stanza...the bazz intrument returns along with fast-paced tabla beats (also used in same spot of Aashiq banaya aapne)...and himesh croons tadap * 9...followed by HAAAIII(twist with gherayi) at 4.19 and 4.26...the piano keys also hit at latter part from 4.27 to 4.33...the fast croons tadap tadap...are totally in sync with the fast tabla beats...and then from 4.28 4.32...the lower octave HAAAAI (is mesmerizing with utter FEEL)... ...at 4.33 until 4.36...notice the additional beats...2 beats...followed by 5 quick beats...himesh uses this a lot post-ABA songs... ...from 4.36 to 4.44...another pleasing tune piece on lines of OOOO plays... 2nd stanza...at 4.48...HAAAAAI-AAI-AAI-AAI...BEST SLOGAN (HAAAI) EFFECT IN SONG...bazz trumpet plays intermittently... ...at 4.59...HAAAAIIIIIAAAAA(up down twist TERRIFIC)...himesh is the king of twists and turns...and it is one of his biggest strengths in sufi-rock singing style...he has used this in ahista ahista and dil tumhare bina (in the end)...just as a sample illustration... Highlights of this song: 1. The OOOO part that is core melody of mukhda and foundation of song. 2. The regular piano keys and the heavy drums that play behind OOOO...for example (heavy drums)...1.45 to 2.00...very effective. 3. The bazz trumpet used effectively in whole song and the fast faced tabla beats used in gap between 1st and 2nd stanza. 4. The accompanying tune sur used at desired places and raaga tune used at gaps. 5. Himesh's slogan type powerful vocals with twists and also soothness where required, Tulsi's innocent melodious vocals.
