Cut, Dry, Crisp, to the point without any loose threads. The languidness of the moment that comes in is to establish the undercurrent of the raw palpable emotions.
Will come to the portrayals later - first lets get to the technical aspects of the film. The screenplay is tightly wound like the straps of the wheelchair and it lets go off the thread at the perfect moment and doesn't falter or is never loose preventing the viewer to fall. The camera is from our view point. The background music is the pounding of our heart and we are entrenched in completely. The songs are the soul of the film. The editing is as sharp as that of sushi maestro's knife and why wouldn't it be when the story is the maestro's himself. Who better to know how to tighten the strings.
Now to the portrayals. What can one say of the ever evolving AB. He has not only reinvented himself but has proved Darwin's law. Every film he showcases a new facet. He is truly the pawn of the chessboard who with every step he is taking in the board of acting has retaken his position as king again and again. FA has the right amount of restraint and is a delight to see and cherish.
Yes I did get the plot midway of the film but the checkmate that I was dealt was that of the alter ego of the true Wazir. Thanks for the checkmate. Truly I have lost on the twist but I am glad that I won seeing the movie