Behind The Scenes of Love Aaj Kal with Imtiaz Ali

“This is on the streets of Delhi and we were taking some early morning shots. This is one of the moments where Nutty (N Natarajan Subramaniam, Cinematographer) is standing at the back. His face is not clearly seen and I am kind of checking the lens before he starts taking the shots.”

"This is on the streets of Delhi and we were taking some early morning shots. This is one of the moments where Nutty (N Natarajan Subramaniam, Cinematographer) is standing at the back. His face is not clearly seen and I am kind of checking the lens before he starts taking the shots."

Imtiaz Ali is a director with a rare eye for detailing, Read More">art and culture. He also manages to successfully blend the aesthetics with the commercial parameters of filmmaking. Bollywood Hungama takes you on a journey through a few pictures which are behind the scenes of Ali’s latest venture Love Aaj Kal. You shall be treatedRead More

Imtiaz Ali is a director with a rare eye for detailing, art and culture. He also manages to successfully blend the aesthetics with the commercial parameters of filmmaking. Bollywood Hungama takes you on a journey through a few pictures which are behind the scenes of Ali's latest venture Love Aaj Kal. You shall be treated to some interesting dope on why Imtiaz doesn't like being caught with his hands in a director's pose, Deepika's camera fixation and you may even get lucky with the name of the girl playing Harleen's character in the film.

"This is in London. It's in the car. We are shooting on a street or near a market place where Saif is going to be driving. I am wearing the t-shirt which has actually been gifted to me by Kane the gaffer. Saif is wearing clothes that Anahita (Shroff Adjania) gave him. I think it's a market place kind of a shot where I am trying to ask the camera guys to hurry up and take the shot before the crowds become thick."

“This is Rahul Khanna and me in Alliance Francaise, Delhi, Read More">where we are showing it to be a workshop of restorations art. He is supposed to be a kind of expert on the topic of the restorative art. He is going to be talking to students in this shot and I am kind of directingRead More

"This is Rahul Khanna and me in Alliance Francaise, Delhi, where we are showing it to be a workshop of restorations art. He is supposed to be a kind of expert on the topic of the restorative art. He is going to be talking to students in this shot and I am kind of directing him for that."

Read More">“This is in Delhi. There is a scene where a cycle rickshaw gets punctured and it’s brought to a shop. Saif (Sardar ji mould) and his friend come over and there is a scene at the cycle repair shop. That’s what we are shooting and it is inside the Red Fort. Here I am checkingRead More

"This is in Delhi. There is a scene where a cycle rickshaw gets punctured and it's brought to a shop. Saif (Sardar ji mould) and his friend come over and there is a scene at the cycle repair shop. That's what we are shooting and it is inside the Red Fort. Here I am checking out a shot."

“This is the rare occasion where I have been caught with my hand in the director’s pose which I never do because the moment I do so, Read More">some photographer clicks it. We are shooting in India for sure. I think it’s in Calcutta again and we are shooting inside a room in Calcutta. It’s supposedRead More

"This is the rare occasion where I have been caught with my hand in the director's pose which I never do because the moment I do so, some photographer clicks it. We are shooting in India for sure. I think it's in Calcutta again and we are shooting inside a room in Calcutta. It's supposed to be Harleen's house in the movie. I won't be telling you her real name though. For now, we are keeping that a secret."