Milenge Milenge took its time to come to the theatres. Yes, it’s old fashioned in theme. But not dated. The material which must have been quite bulky by the time Kaushik was done with shooting has been cut and pasted with restrained enthusiasm. What we have is a paper-thin, sometimes cute at times annoying rom com where destiny plays a pivotal part. Kiss-mat, anyone? Yup, intimacy is fugitive between Shahid and Kareena. But they nonetheless look like a real pair.
The plot plods at a pace that suggests love is just about the only force that keeps the universe moving. Both the protagonists play professionals. But we hardly see them work except on their ever-palpitating hearts.
The plot invents various devices from missed flights to truant elevators to hero in drag and heroine in glycerine to keep the love birds apart for two hours. There are some heart-warming moments depicting random hearts pumping into a collective despair as time ticks by.
There’s no attempt to pull punches, no over-clever dialogues and no effort to paint and gloss the feeling of love with sassy ‘cool’ lines. Director Satish Kaushik plays the romance on the straight and narrow path. And that’s just about the most comforting aspect of this basic simple and predictable boy-meets-girl tale.
The principal performances range from precocious to authentic. Surprisingly Shahid tends to go overboard in the early comic sequences. But he makes up for the excesses in the second-half with expressions of a lover’s anguish over Cupid’s awry arrow.
Kareena looks gorgeous and slim in some scenes, gorgeous and relatively plump in other scenes. In totality the chemistry is quite palpable, much more so than in some of the other much-hyped love stories that arrived lately with a bang and fizzled out without the pang of love being palpable in a single frame.
In Milenge Milenge you do FEEL for the lovers. Maybe it has to do with the fact that we know what the film’s lovers do not. That the actors playing them were at involved not too long ago. But hush!