Unleashing the essence of Dor from the lenses of Shreyas

Photography, alone of the arts, Read More">seems perfected to serve the desire humans have for a moment – this very moment – to stay. “This is the view from the passage where the corridor is. To the left is the fort temple and to the right is the white balcony. The white balcony was a watchRead More

Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay.

“This is the view from the passage where the corridor is. To the left is the fort temple and to the right is the white balcony. The white balcony was a watch point in the olden days. You can get the entire view of the village from there and that is how the Maharaja used to keep a look-out. That place feels nice and some nice breeze blows over there. I randomly captured this photograph and luckily it came out good.”

Read More">IndiaFM brings to you an exclusive gallery straight from the lenses of Shreyas Talpade. These pictures were taken by the actor while he was shooting in Rajasthan for his film Dor directed by Nagesh Kukunoor. Shreyas was gracious enough to give us a part of his creative work and also let us know what heRead More

IndiaFM brings to you an exclusive gallery straight from the lenses of Shreyas Talpade. These pictures were taken by the actor while he was shooting in Rajasthan for his film Dor directed by Nagesh Kukunoor. Shreyas was gracious enough to give us a part of his creative work and also let us know what he was thinking while he captured the beauty of Rajasthan. Here’s Shreyas’ journey in the world of sand and dune.

Photography is a small voice, at best, but sometimes one photograph, or a group of them, can lure our sense of awareness.

“This picture is clicked by Sudeep Chatterjee, the cinematographer. He is my guru in photography and helped me a lot. He was giving me lessons and teaching me different things like exposure, shutter speed, etc. There is a wall behind me and Sudeep told me to look down. He then played with the exposure and I really loved it.”

She glances at the photo, and the pilot light of memory flickers in her eyes. “This is the Pokhran palace in the background which is now converted into a museum. Look at Gul Panag’s smirk in the picture. There is a story behind that as well. If you look closely, Read More">behind there is a person.Read More

She glances at the photo, and the pilot light of memory flickers in her eyes.

“This is the Pokhran palace in the background which is now converted into a museum. Look at Gul Panag’s smirk in the picture. There is a story behind that as well. If you look closely, behind there is a person. She is the executive producer Elahe Hiptoola. She wasn’t keeping all that well that day and was yelling at someone over there. Both Gul and I were laughing at the situation. Gul was looking at Elahe and I called her to look at me and hence the smile on her face.”

Photography to me is catching a moment which is passing, Read More">and which is true. “Now this is the man in action right there. That is Sudeep behind the camera and was busy working. To the left is the clapper boy Rohan. The bicycle was just parked there and at first I though of shooting throughRead More

Photography to me is catching a moment which is passing, and which is true.

“Now this is the man in action right there. That is Sudeep behind the camera and was busy working. To the left is the clapper boy Rohan. The bicycle was just parked there and at first I though of shooting through the spokes and focusing on Sudeep but then changed my mind. I decided to focus on the tyre instead. When Sudeep saw the picture he told me that he was out-focused. And I said that happens when you focus on something else. This is my favourite picture as I think is very good.”

When you find yourself beginning to feel a bond between yourself and the people you photograph, you will know you are on the right track. “That’s Vibhu the assistant director wearing the bandana, then Gul, Read More">then Sudeep and finally Nagesh. There was a sandstorm outside and we were forced to stop work. We waited aRead More

When you find yourself beginning to feel a bond between yourself and the people you photograph, you will know you are on the right track.

“That’s Vibhu the assistant director wearing the bandana, then Gul, then Sudeep and finally Nagesh. There was a sandstorm outside and we were forced to stop work. We waited a long time and finally the crew had to strategize something else as there wasn’t much grace period. We are inside the resort and in the backdrop are rooms. The situation outside was very bad and we were lucky to be inside the resort. In this particular picture I played with the exposure and you can see the results.”