OURT MOVIE REVIEW- Just watched Court movie and couldn't stop myself by clapping in the end of the…  

OURT MOVIE REVIEW- Just watched Court movie and couldn't stop myself by clapping in the end of the movie.read so many reviews and film has already got the national award so my expectations were sky high.i was expecting a masterpiece.and i am very proud to say that Marathi cinema has given us another masterpiece.an eye opener movie with complete realistic screenplay.film has a simple story,a folk singer get arrested by police and then whatever happens in a court is all about the script.no melodrama,no action,no vulgarity,no turning points only a simple story gets going and leave us with an eye opening message.film shows us the atmosphere inside the court and also the corrupt outside world.a brilliant message of how bad is the mentality of well educated Judge we have in our system.a common man has much knowledge,mind n sense than educated people.a true face of lawyers,police and some poverty caste peoples of our society.don't know from where director Chaitnya got idea to make a movie on this topic.but i must say he has done a fabulous job here.a natural and realistic screenplay takes the quality of movie to the high level.all actors are almost new faces and freshers,who does not have any big film or experience on their names but here they all have done a brilliant job.completely natural acting by them is just out of the world.film has no songs and doesn't even need it.camera work is damn awesome.story,screenplay are completely natural and realistic.i want to mention one more thing here,Dialouges..! The most loved part of the film for me.that conversation of lawyers is just wow.with the ease they delivers it is impossible for any other actor.my request to all who are reading this review,go and watch this masterpiece but only if you know and understand the meaning of class and quality.strongly recommended to classes.50% dialogs are in English so masses you please don't watch it,you keep watching that masala and entertaining stuff..no wonder why this movie got ''Best Indian Film'' award in national awards,you guys deserves it..final words,kudos and salute to the team of ''Court'' for giving us this masterpiece... 

Chaitanya Tamhane's directorial debut, Court, is a multilingual, award- winning film on the "quiet…  

Chaitanya Tamhane's directorial debut, Court, is a multilingual, award- winning film on the "quiet violence" of the judicial system and how the State uses it to suppress political activists. Financed by the Hubert- Bals Fund and private equity, it opened to rave reviews and won Best Director and Best Film in the International Competition section of the 16th Mumbai Film Festival. It also premiered at the Venice Film Festival earlier in the year, where it won the Lion of the Future Award for the best first feature. Court successfully invokes the mood of a trial based on patently ridiculous charges, conducted with no intent other than disciplining and harassment of an activist. A phenomenon that is all too common in India. The theme is very timely given the increasingly intolerant nature of the Indian State and the large number of political prisoners languishing in jail all across the country. The film follows the trial of Narayan Kamble (Vira Sathidar), a Dalit political activist and lokshahir (people's poet) who is arrested on stage during a performance in Bombay on charges of "abetment of suicide." The police claim that Kamble has penned and performed "incendiary" lyrics calling on Dalits to "drown themselves in sewage" provoking a municipal sanitation worker to actually take his own life by drowning in the very sewer it is his duty to clean. The absurdity of the charge is matched by the (mock?) seriousness with which it is pursued but the police and the officials of the Sessions court. While the politics of false charges and suppression of activists via legal means is an important theme in the film, Tamhane also uses the context of the trial to explore the everyday lives of the principal actors in the courtroom; especially the lawyers for defense (producer Vivek Gomber) and prosecution (played by Geetanjali Kulkarni), and the judge (Pradeep Joshi). What emerges is how extraordinary injustice is embedded in quotidian affairs. The prosecution lawyer argues against bail, ensures that an honest man of advanced years rots in police custody for no reason at all and then goes home to cook dinner and watch TV with her family. The ponderous legal system is certainly the main protagonist, as is evident in the name of the film. And as a useful counterpoint to the brilliant and satirical Mohan Joshi Hazir Ho, Court forces us confront the fact that the byzantine alleyways of justice and the proverbial tarikh pe tarikh, are not merely the unintended result of an uncaring and bureaucratic system but rather used deliberately by the State to remove its more inconvenient citizens for some time, say three or four years. At which time it is the headache of the next set of rulers.  

Chaitanya Tamhane's Court approaches many fascinating and bitingly topical subjects for a…  

Chaitanya Tamhane's Court approaches many fascinating and bitingly topical subjects for a constantly changing India. When those to the west think of India, we often imagine the hustle and bustle depicted in Slumdog Millionaire coupled with the energy and glittery elegance of Bollywood movies. Court is a slower burn with incredible wide cinematography that captures a disquieting stillness. It's almost like a political thriller where no-one can be trusted, but it's not a film that relies on tension or conclusions. It studies the westernisation of Indian culture through its network of characters, darting between the folk singer Sharmila Pawar and his 'Americanised' defence lawyer Vinay Voya, but without peeling back their layers. It's not interested in the characters as people but what they represent in the situation, wherein Pawar is being tried for inciting a man to suicide through his songs. Instead, it contrasts the old with the new, with Indian traditions and the updates of the youths, aesthetically and with their behaviour. The courtroom drama prods at this aspect with old laws being questioned for being outdated and how they should be reconsidered. It seems a lack of compromise is also part of tradition and is something that contemporary Indians wants to implement. The film also studies the effect of art, questioning whether folk music can really change a government and if it does influence bad things incidentally, can it be held accountable? The power of poetry is a strange thing in a world drenched in culture. What counts as a performance when art is so fluid? Where do we draw the line between coincidence and crime? Court is a very dry but very thought-provoking and highly intelligent film that raises important questions about the world we live in, albeit it could've been improved by a bit more character work and a concise ending.