Kantara: Chapter 1: Rishab Shetty learns horse riding, Kalaripayattu, and sword fighting over the months for a war sequence : Bollywood News

Kantara proved to be the biggest sleeper hit of 2022, redefining success for Hombale Films and actor-filmmaker Rishab Shetty. Rooted in the heartlands of India, the film captivated audiences worldwide by showcasing Indian culture in an unconventional manner. Now, audiences are eagerly waiting for Kantara: Chapter 1, which has created a significant buzz with its announcement. Furthermore, adding to the anticipation was the poster featuring Rishab Shetty in a completely different avatar and sources have also asserted that Shetty underwent extensive prep for the film.

Kantara: Chapter 1: Rishab Shetty learns horse riding, Kalaripayattu, and sword fighting over the months for a war sequence

Rishab Shetty to shoot a massive war sequence

Now, the latest update is that actor has been undergoing extensive training in multiple forms and has dedicated several months for a war sequence which will be an important part in the film. According to a source close to the production, "Rishab Shetty underwent several months of preparation for a war sequence in Kantara: Chapter 1, which he is currently shooting. The war sequence includes horse riding, Kalaripayattu, and sword fighting, all of which the actor has learned."

About Kantara: Chapter 1

Makers are all set to extend the Kantara legacy ahead with Kantara: Chapter 1 which promises to be a one-of-a-kind experience and is prequel to the 2022 release. The film is set in the Kadamba period in Karnataka. The Kadambas were significant rulers of parts of Karnataka and played a major role in shaping the architecture and culture of the region. That period was known to be a Golden Period of Indian History.

Moreover, Kantara: Chapter 1 is set to be a big scale film that promises to take the standards of Indian cinema to a whole new level. Once again, the film written and directed by Rishab himself, the film is expected to release on October 2.

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