Critics are either loving or hating Aanand L Rai’s unconventional love story Atrangi Re. He says he is fine with the divided opinions. “As long as no one is indifferent to it, I am fine. When I set off to make this film I was not thinking of how people would react. I never do. I cannot be tied down to expectations, mine or others. I have to do what I have to do. I had to make a film about this girl who cannot be forced to conform. For the longest time, I wanted to do a film on the father-daughter theme. When my writer Himanshu Sharma came up with this idea I knew I had to make this film.”
“As long as no one is indifferent to my film I am fine” – Aanand L RaiAs Rinku, Sara Ali Khan is all over the place. And that’s the way Aanand wanted it. “I wanted that uncontrollable personality. That’s why she was cast. I must say it was a delightful experience working with her and with Akshay Kumar and Dhanush who are quite easily among the best talent of Indian cinema. Incidentally, I didn’t know that Rinku was Sara’s grandmother Sharmila Tagore ji’s nickname. Sara told me during the shooting. She was very kicked about it.”
I suspect Aanand wrote Dhanush’s character as a Tamilian to accommodate Dhanush?
Aanand can’t stop singing Dhanush and Akshay Kumar’s praise. “Dhanush is a marvel of nature. What he has brought to Atrangi Re is beyond anything I expected. As for Akshay, you know, like me, he doesn’t think about himself. He thinks only about the film. I didn’t have to convince him to do the role. He wanted to be part of Atrangi Re. I wanted a certain magic in the character he played. Akshay has brought in that magic.”
People are wondering how and why Aanand has shown groom-kidnapping in Bihar in this day and age when it has long been abolished. Aanand in his defence says, “But where have I said that my film is set in present times? My films never follow a timeline. In my film the groom kidnapping and what follows, happens. This is the world I wanted to create with my writer Himanshu Sharma. You may have creative and historic quibbles with my world. But I think discussion is a healthy part of any creative endeavour. I am glad people are talking about Atrangi Re, good or bad. I’d be worried if they had nothing to say.”
The film addresses the very serious issue of schizophrenia. And yet nowhere is that word mentioned. Aanand says he wanted it that way. “If as you say it is schizophrenia (that one of the protagonists suffers from) then the people around her do not recognize it by that name. Her grandmother, played by Seema Biswas, calls it madness. The characters in the film have probably never heard of schizophrenia. I wanted it to be that way. Early when I had just started shooting Atrangi Re I showed some rushes to a friend who laughed and cried. He confessed he felt guilty about laughing at the mental disorder of a character. But the laughter is not meant to take away from seriousness of the situation. It is meant to take away the sting from tragedy.”
As for charges of trivializing mental disorder, Aanand shrugs, “I am used to such accusations. When my Raanjhanaa was released I was accused of legitimizing stalking. These things don’t bother me. I won’t stop making the films I want to. I won’t live in the fear of failure. For half my life I was frightened. I am not going to be frightened as a filmmaker. I want to make the films that will be discussed long after I am gone.”
In the end-credits of Atrangi Re Aanand has paid his team members A R Rahman, Irshad Kaamil, (cinematographer) Pankaj Kumar, (editor) Hemal Kothari and writer Himasnhu Sharma a tribute by designating Atrangi Re as their film?
Aanand says he hadn’t planned this as a gimmick to impress the audience on how generous he was. “I genuinely feel the film couldn’t have been made without them. Rahman Sir’s music takes my film to another level. I told him I didn’t want single songs that would go up the charts. I wanted a soundtrack album where the music and songs carry the story forward.
Any regrets about Atrangi Re not being able to release in movie theatres? “Of course I wanted it released in theatres. That’s where Atrangi Re belongs. Having said, I don’t think there was a choice in the matter. The OTT platform doesn’t diminish the impact of my film.”
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