Bollywood Hungama
Last Updated 26.03.2019 | 9:32 PM IST
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2003: A crucial year for Abhishek:

2003 is a make or break year for Abhishek Bachchan. The actor will have a string of releases, starting from MUMBAI SE AAYA MERA DOST, KUCH NAA KAHO, MAIN PREM KI DIWANI HOON, L.O.C., RUN, ZAMEEN If they don’t work, I’ll be compelled to shift to Allahabad, he jokes. From being a media-shy person to being media-friendly, Abhishek has undergone a major transformation. And that’s a welcome change indeed! The day begins with the media presentations of two of Abhishek’s films KUCH NAA KAHO and MUMBAI SE AAYA MERA DOST. The father and son duo of Ramesh and Rohan Sippy walk in with Abhishek to mingle with the media. But prior to Q & A sessions with the handful of journos, glimpses from the Abhishek Aishwarya Rai starrer KUCH NAA KAHO are screened. If the chemistry between Abhishek and Ash was missing in their first film together [DHAAI AKSHAR PREM KE], it’s more than evident in KUCH NAA KAHO. From the portions viewed by this writer, it’s evident that [a] They pair off well; [b] Abhishek is looking better than his earlier films; [c] Rohan Sippy is a sensitive director. That’s true, Abhshek echoes, Rohan has made a brilliant film. From the inception stage to what the final product is, Rohan has revised and reworked on the script of the film and the results are heartening. The makers have decided to concentrate on the promoting the lead pair and let the presence of Arbaaz Khan in the film spring a surprise when the story unfolds on screen. From what this writer gathers, Abhishek is a man who doesn’t believe in marriage, while Ash is a woman who can’t marry due to reasons. It’s a love story, yes, but different from the love stories you’ve witnessed in the recent times, Ramesh Sippy tells me, But, at the same time, it’s very much within commercial parameters. The very fact that Ramesh Sippy and Amitabh Bachchan have done some wonderful work in the past [SHOLAY, SHAKTI], people are bound to judge their kins’ work with a magnifying glass.

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