ok, the thing about this movie is - through all the bollywood hooha, follow-up to RDB hype,…  

ok, the thing about this movie is - through all the bollywood hooha, follow-up to RDB hype, 'starcast' lala, blockbuster expectations, soundtrack aahs, etc etc, the movie was kind of subtle. maybe it seemed it shouldn't be - or even wasn't - subtle, in the context of all that, but it was. you had to pay attention. you had to try to see what it was trying to show you, because it wasn't going to keep harping on about it. and it showed quite a few things. in this film there was sweetness and unexpectedness and detail. there was confusion, there was boredom, there was human delight. suspenses built up to result in genuine and unexpected laugh-out joy (like the scene with the kids running after jalebi the first time). it was complicated and yet there was an oddly enduring respect and humanity in every character and every scene. the vibe kind of reminded me earnest yet dry old comedies, like um...MASH? maybe the combination of earnestness with understated humor - humor is neither dumb nor cynical - has somehow become quaint now to some, but I think it can make a comeback. i've heard the film criticized as 'preachy' but it was probably one of the least dogmatically preachy bolly thing i've seen in a while! a few tiny speeches at the end, the short-lived blood and screams, and then back to gentle lessons and reflections. everything forgiven because ultimately the point seemed to be that no matter how serious and dark things seem, they are ultimately only ridiculous. transformation and connectedness are what continue. i suppose i shouldn't be surprised some people missed its subtleties and heart and wanted the same old narrative-driven whatever. but when i read it getting worse reviews than things like 'kismet konnection' i can't speak anymore. so ok the film wasn't perfect by any means - far from it - the story could have held together more strongly, a tougher, tighter, less noticable elastic to tie up all the little vignettes and bring an easier, more engaging sense of continuity and 'being carried' to the viewer. but this is a skill that takes time to really master, and i believe in huge luck/talent if anyone ever gets it all right. in the meanwhile if the entire product is discarded on the basis of such a flaw, it's really like throwing the baby out with the bathwater. and why throw anything that's sweet and full of potential - if also annoyingly demanding and dependent on your attention - away? i think it's possible to appreciate what there is to appreciate and get pleasure from the intricacies of small scenes, and worry less about the 'big picture's all the time. do we have to perpetually be running along the lines of, 'spoonfeed me, entertain me, just don't ever let me make sense of things by myself without obvious assistance and explanation.' enjoy your freedom! with all its fun and frustrations. the film was interesting, it took risks, it tried hard, it was flawed and it was special. basically it showed some faith in creativity and community against any odds. forget how much cash it makes or doesn't make, in which multiplex or whatever people go on about. the commercial/mass appeal concerns for both the reviewers and the filmmakers may be a thing for them, but viewers can just bypass it and try to take the actually more valuable stuff away. like courage to try and enjoy new and old things, and to keep going and growing despite fingers pointing all over the place. 

While modern India races ahead towards its self-designed glory with aspirations and outlook that…  

While modern India races ahead towards its self-designed glory with aspirations and outlook that are based on the premise of something new and different, the majority still lives in stark contrast to these changes. The Indian society in reality is multi-faced with its culture, customs, traditions, orthodox outlook, communal bitterness, corruption and above all, hypocrisy. Delhi 6 is a mirror shown to us that portrays this Indian society in changing times. Now whether one chooses to believe that the image in the mirror is a story-less façade, a mockery or a genuinely vivid portrayal of the Indian kaleidoscope is a matter more of acceptance than of opinion. Rakesh OmPrakash Mehra’s ‘Aks’ was a bold venture into the indestructible evil but his distinct narrative style was incomprehensible by the majority. His next film claimed an iconic status for him and ‘Rang De Basanti’ became a cult movie with outstanding music, technical finesse, brilliant story telling and a soul stirring message. With ‘Delhi 6’, Rakesh Mehra gives us a view of his childhood locality in Delhi through the eyes of an NRI who finds the warmth and diversity appeal to him as he brings his ailing grandmother back home. Soon he discovers the hypocrisy and backwardness that lies underneath the surface of the society that first gave him love but now leaves him in disbelief of the reality around him. There is a subtle meaning behind every dialogue, a satirical take on every reality, a brilliant visual for everything beautiful, a metaphorical implication for our inner selves in parallel plots, the meaningful and unique compositions of Prasoon Joshi with AR Rehman’s genius and a narrative so powerful yet subtle in context and delivery. Rakesh Mehra proves yet again, that he is a class apart from the rest. The narrative is like a rich textured, painfully woven cloth made of fine individual threads of varied colours that exemplify the film’s diverse characters. We see Delhi through the eyes of Roshan (Abhishek Bachchan) who shows maturity and greater understanding of the story than simply that of his character. Bittu (Sonam Kapoor-beautiful!) is the concealed modern face of an Indian Idol aspirant whose dreams are caged by her father’s orthodox attitude. Waheeda Rehman plays Roshan’s grandmom with her natural ability as a veteran actress while she munches on supari, paan and dances to Genda Phool. Rishi Kapoor is at his charming best as Ali Baig, Roshan’s uncle, a reputable citizen of Delhi 6 whose insight into the ways and customs of the society are both didactic and lasting in their impact. Gobar (Atul Kulkarni – class act!), the simpleton who is always ridiculed by everyone has an impactful part to play towards the end while Pawan Malhotra and Om Puri play the roles of acrimonious brothers in a manner that is consistent with their brilliant acting prowess. The list of towering performances extends with Vijay Raaz as the typical corrupt and conceited policeman, Deepak Dobriyal as the rancorous victim of his society’s inanity, Prem Chopra as the flamboyant moneylender and Divya Dutta as the outcast trashpicker whose mockery of the hypocritical ‘clean communities’ pinches at the conscience of many. Although the ensemble cast may seem like the film’s highlight, it actually is Rakesh Mehra and Prasoon Joshi’s script and screenplay that result in the entwined narrative leading to an analogous summation of the story. Running parallel to Roshan’s discovery of India and its people is the plot involving the real life incident of Delhi’s ‘black monkey scare’ back in 2001. This Kaala Bandar menace has shaken the very grounds of scientific and logical credibility while leaving the citizens in a fearful state. Who or what really is this Kaala Bandar?? And of what real significance is the symbolic Ramleela play?? The two aspects of the story have a deeper significance in the real message that Rakesh Mehra’s nimble direction is trying to convey and is now clearly affirmed as the trademark in all his films. AR Rehman returns in his best form after RDB. Every song bears resemblance to those of RDB’s in an inconspicuous manner while remaining distinct and pertinent to Delhi 6’s story. Prasoon Joshi gives us unique lyrics yet again that carry the deeper meaning which not all dialogues could convey. Genda Phool is the most imaginative song which has a rapper tune to it in the most Indian form ever heard. Rehna Tu, in true Rehman style is that one song in his album that remains the most melodious with his own voice. Dil Gira Dafatan has some wizardry in visuals while Bhor Bhaye and Tumre bhavan mein are brilliantly rendered in classical style. Arziyan is a great composition with outstanding voices of Kailash Kher and Javed Ali. Delhi hai is the catchy theme song that shows Rehman’s versatility with modern music and Kaala Bandar is like a musical story in itself in hip-hop style. Masakali is beautifully sung by Mohit Chauhan and the composition reminds us of what Gulzar would have written for a pigeon. Overall, Delhi 6 is the album that is a rare gem even by the maestro. ‘Let us look at the mirror, in which we see a message, in which we see our wronged sides, our true conscience’. Delhi 6 is an honest thought; a philosophy that is truly a reflection of what is around us but which we tend to disregard in our own arrogance or ignorance. The movie’s true hero is the crazy Fakir who roams around with a mirror in his hand while narrating the film’s enduring philosophy “zarre zarre mein usika noor hai, jhaankh khud mein, woh na tujhse door hai…..” Rakesh Mehra’s film-making embodies sheer brilliance in story telling, running parallel narratives, strong and witty script, superlative screenplay that does equal justice to an ensemble star cast and in the end leaves a deductive message that one can ponder over for quite sometime. Just go watch it. - 9.29 on a scale of 1-10.  

An overall BAKWAAS film, baring few moments.  

An overall BAKWAAS film, baring few moments. 

Excellent! I can't understand what people are complaining about. This movie has all the elements of…  

Excellent! I can't understand what people are complaining about. This movie has all the elements of world cinema. Don't expect a Rang De Basanti because this one's got a different flavour altogether. A great character film. One of a kind! 

Fabulous film from the rockstars of bollywood. I really feel congratulating Rakeysh Omprakash Mehra…  

Fabulous film from the rockstars of bollywood. I really feel congratulating Rakeysh Omprakash Mehra for keeping great work on. His style of presenting his heart is no way comparable to any thing else. Superb performance by Abhishek - his own style makes him perfect performer of this role. Sonam is a masakali girl flying high very soon. 

The movie was nt as expected..wat i loved in the movie was SONAM KAPOOR..she is very talented as…  

The movie was nt as expected..wat i loved in the movie was SONAM KAPOOR..she is very talented as wel as simple, sweet n beautiful 

Excellent movie  

Excellent movie 

Mind-blowing film! A wholesome movie - great storyline and sub-stories, brilliant performances,…  

Mind-blowing film! A wholesome movie - great storyline and sub-stories, brilliant performances, great music...and yes, COLOURFUL!This time the director - Rakesysh Omprakash Mehra - has dealt with issues that are always bubbling under in our surroundings, our lives. The film explores our cultural beliefs in a unique way, one that very much resonates with the promising youth of the country. It captures the vibrancy that is India, and pulls out many skeletons from our society's closet...with tencaity and panache. Delhi 6 is a world by itself, one that each one of us can relate to in our own way...nuances of traditions like the Ram Leela or Bittu's dream of being the next Indian Idol or the blend of religious virtues that make Roshan an agent of change! ...There's a slice of Delhi 6 in each of us!! 

I wonder if Mr Adarsh went and saw “billu” instead of Delhi 6. I totally disagree with the crap…  

I wonder if Mr Adarsh went and saw “billu” instead of Delhi 6. I totally disagree with the crap that he has said about the movie. The movie is spellbinding in all aspects…Why do we have to compare it to RDB? That was a different movie, More rebelling in mature this is individualistic approach to peaceful living. Movie is Good because: It teaches you virtues of living..It is relevant in all times..Music is nice..Story is well written..It has a personal message..Its for high thinkers, not for dumb morons..Its true cinematic experience.. Sonam Looks lovely..Every character has significance and has acted well…Above all you can relate to the movie as if you have seen all those characters in and around you.. Watch it for your own well being  

i just saw the movie..and take my words its amazing... the message conveyed is beautiful... every…  

i just saw the movie..and take my words its amazing... the message conveyed is beautiful... every aspect of a society is shown,though it looks very old..these days it doesnt even take a moment to burn it all ,...so overall well done Mr.mehra 

This is a really cute movie. The has a refreshing reality look. Nothing seems to be fake here. As…  

This is a really cute movie. The has a refreshing reality look. Nothing seems to be fake here. As Rishi kapoor admits one point "Ghar chote hain, isliyte dawa karte hain ke dil bade hain". All the characters are quite real and strong, which has its own storyline. The second part of movie could have been little more tight. I went this movie with low expectation, as i read a lot of bad reviews about this movie. M glad i watch this movie. At some point I was amazed by its sweet and bitter presentation. The songs are very well gelled into the movie. The choreography of "Dil Dafatan" song was sort of creative highlight of the movie. I was amazed the quality of these movie critics, especially Taran Adarsh. He gave only 1/5 on the day 1, later on i don't know why he changed this to 1.5/5. May be he judges everything on the basis of box office success. Last year I remember he gave 3 good reviews to bad movies like "Race", "Dostana" and "Gajni" (May not be that bad, but 5/5 was too much). This man does not have any taste.  

Delhi 6 is a 32 bot colour portratit of Incredible India. It gives us all an opportunity for an…  

Delhi 6 is a 32 bot colour portratit of Incredible India. It gives us all an opportunity for an introspection and find our won kala bandard ( dark side of every human). The biggets star of the movie is the spirit of city of Delhi which represents Indian in many ways. Music is faboulous and Rakesh Mehra has weaved Rahman's magical songs well with the pace of the film. Overall a very intelligent and sensitive film. Go For It.. Go for India and its spirit of unity in diversity.....