Definitions of critic on the Web:
•a person who is professionally engaged in the analysis and interpretation of works of art
•anyone who expresses a reasoned judgment of something
•someone who frequently finds fault or makes harsh and unfair judgments
Dear Mr. T. Adarsh,
I have a few questions lined up for you… first of all like many other viewers and reviewers of this great indiafm forum, I beg to differ from your utterly misleading and poor piece (of what you call a ‘review’) on the film Aaja Nachle.
According to the web definitions provided on ‘Critic’…you have gone against all the basic/necessary requirements for a Film Critic…the only thing you do happen to match is the last defining statement: “someone who frequently finds fault or makes harsh and unfair judgmentsâ€.
I used to appreciate your reviews and inputs on films and actors, etc. However, lately I have been noticing a lack of sincerity on your behalf. You have not met up to the public’s expectation…you are in fact providing false information to the viewers. You remind me of a politician who started off clean but then soon the same politician gets messed up in the midst of all the chaos (marketing/publicity/$$$) and looses himself and his sense of judgment by becoming a mere follower than leader.
It is sad but the fact is, questions are being raised in terms of your credibility.
I’m not talking simply on behalf of the film Aaja Nachle but on the basis of your previous performances as a critic. You know what I am talking about…if not, your supremely biased and sightless OSO review for an example. You seem to be only looking at the outside packaging of glitz/glamour but the inside of the product is so hollow. A quick reminder to you Sir, ‘All that glitters, is not necessarily gold’. Yes, the box-office report might be different…unfortunately, now a days ‘marketing and over-hyped publicity sells’ more than a good story line or genuine performances. You are a ‘FILM’ critic...it isn’t necessary to criticize a film in order to be one but you ought to judge fairly and also think of the public’s genuine reaction to that film. According to most of the public reviews the film rates about 4.5/5 so far. Then why this ‘1.5’ rating for ‘AN’ when in the case of a total mind-less film like OSO with over-the-top acting and overrated hype gets rave reviews??? You have your own opinion, we all agree, but as a film-critic on this popular public forum ‘Indiafm.com’ you have some responsibility towards your audience as well.
Now as for Aaja Nachle…this is a fine film. It is quite apparent that this film is not going to change film-history but it successfully serves its purpose. It is fun, clean and 100% entertainment and frankly not the same old run-of-the-mill deal. However, I’m not saying that the film goes without its flaws. It has its quirks here and there – agreed, the script could have been stronger. But keeping the chief story line in mind the film succeeds in achieving what it targets…to bring smiles on people’s faces and make their feet tap to its rhythm. The film had a soul unlike countless films that have been released just recently. The editing is quite up to mark as the film doesn’t tend to slog around…it is fast-paced as one doesn’t get an opportunity to be bored. The songs are well fitted into the script…lovely melody, obviously the title track ‘Aaja Nachle’ including ‘O Re Piya’ makes its mark and lingers on complimented with bright and colourful visuals.
Now as for the performances count…Mrs. Madhuri Dixit-Nene has given the film 100%. Her character is age-appropriate and mind you, she is looking beautiful and is graceful as ever. In fact she can give any actress a run for their money. Her dancing which is skillfully choreographed by Vaibhavi Merchant is fabulously executed with lovely detailing as one can not seem to take his/her eyes off of Madhuri. Her expressions and voice-control through out the film has taken the performance up to another notch.
Now the rest of the star casts are brilliant as well. Konkona impresses equally with Kunal Kapoor in their significant roles; and, they (especially Kunal Kapoor) happens to stand out in the ‘Laila-Majnu’ story portion which has been intensely written and cleverly embedded within the main story. In fact, the sub-plot of ‘Laila-Majnu’ track seems to mesmerize the viewers and the powerful narration and dancing led by Madhuri Dixit-Nene & group sets the stage/screen on fire. Irrfan Khan and Akshaye Khanna in their small but special guest-appearances leave a mark. Even though one wished there was a little more of ‘Madhuri and Akshaye’ interaction in the story yet everyone successfully push the script forward along with rest of the star cast.
Aaja Nachle doesn’t target just selective audience – it is for everyone & all age groups. It has several veiled but ‘good’ messages instilled into its scenes. The film is traditional yet the conclusion has a modern and more realistic twist that is appealing.
Over all…the film is worth your money, and a lovable entertainer for the whole family. This film might have a poor start at box-office due to the lack of 'marketing/publicity' however like 'Chak De', 'Aaja Nachle' should also pick up its pace with word of mouth and due time.