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Sundeep Kishan discusses the differences between South Indian and Bollywood film industries; says, “In Tamil Nadu, the work environment is more hierarchical”

en Bollywood News Sundeep Kishan discusses the differences between South Indian and Bollywood film industries; says, “In Tamil Nadu, the work environment is more hierarchical”

The actor also discussed the impact of pan Indian films and recalled how one of his films gained a massive fan following, years after its release.

Actor Sundeep Kishan, who has showcased his talent in Telugu, Tamil, and Hindi films such as Venkatadri Express, Tiger, Shamantakamani, Nagaram, and Shor in the City, recently spoke about the working styles and differences across various film industries. The actor was a guest speaker at a conclave where he opened about igniting impactful conversations on the film community while leading a session titled ‘A Young Star Who Seamlessly Gels into Any Role, Any Industry, and Platform’.

Sundeep Kishan discusses the differences between South Indian and Bollywood film industries; says, “In Tamil Nadu, the work environment is more hierarchical”

Sundeep Kishan discusses the differences between South Indian and Bollywood film industries; says, “In Tamil Nadu, the work environment is more hierarchical”

At the Dish TV Watcho Storytellers Conclave, Sundeep shared, "In Tamil Nadu, the work environment is more hierarchical, with more bosses around and a structured approach. In contrast, when I work in Bombay, especially with people like Raj & DK, it's a completely different setup. The method might seem chaotic at first, but there’s a system to it, even if no one quite knows what it is. Everyone starts off shouting, but once the camera rolls, there’s sudden silence. It’s a vibe that just flows. In Bombay, everything is in order—checked, tested, and ready to go. Despite the apparent chaos, there’s a clear structure. On Tamil Nadu sets, we often have food served in a buffet system, which is fun. But the energy and rhythm of Bombay sets feel unique."

Talking about Pan India films, he said, "A Pan Indian film, particularly in the context of South Indian cinema, refers to a movie made in Hyderabad by Hyderabadi filmmakers in languages like Telugu, Tamil, Kannada, or Malayalam. These films are dubbed and released in other regions, often becoming blockbusters in North India. Back then, this was a rare phenomenon, and we were simply actors chosen to play roles. Today, however, things have changed. We are gaining respect and recognition in regions that were once unexplored, and the reach of South Indian dubbed films is massive. For example, one of my films, Nachatru, was a passion project. Although it didn’t perform well initially, years later, I started getting recognized on the streets, with people associating me with that film and praising my work. It's incredible to witness how the audience's response has evolved over time. It's not just about the career; it's about the journey."

Also Read: Thalapathy Vijay’s son Jason Sanjay debuts as director with Sundeep Kishan-led film


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