About the video
A musical tribute to The most revered Smt. Late Lata Mangeshkar
Produced and arranged by Deepak Pandit, with Prashant Sonagra (tabla), Tapas Roy (mandolin/strings), Gaurav Vaswani (piano/coproduction), and the large-scale textures of the Budapest Symphony Orchestra from groundbreaking UK-based imprint Sufiscore (“shining a light on South Asian music”)
The evening saw the presence of *Salim–Sulaiman, Suresh Wadkar, Anup Jalota, Talat Aziz, Abhinav Upadhyay, Irshad Kamil, Aditi Sharma, Prithvi Gandharv and many more”
Along with her extensive accomplishments in Indian musical theater and Bollywood playback singing, Bombay-based vocalist Pratibha Singh Baghel has devoted herself to the art of classical Hindustani music in a forward-looking, internationally-minded modern vein. Now, in her second release for the UK-based, South Asian-focused music media platform Sufiscore, Baghel is proud to offer Inheritance, an album consisting of traditional melodies — all adapted, arranged, and produced by the virtuoso violinist and multifaceted Indian music authority Deepak Pandit to reflect Baghel’s musical vision and her soaring, exquisite singing voice.
On Inheritance, framed by Indian traditional instruments as well as piano, synthesizer colors, crisp electronics, and the broad canvas of the Budapest Symphony Orchestra, Baghel lends her singularly expressive character to a selection of thumris (19th-century romantic melodies) and one ghazal (lyrical poetry), bringing these widely known themes into vibrant contact with Western elements before a worldwide audience. Each song is released with an accompanying video, available on Sufiscore’s YouTube channel, in which Baghel sings and acts as well.
A native of Madhya Pradesh state, Baghel has performed in over 30 countries, gaining a worldly view that has made her “greedy as an artist,” she declares: “I never want to limit my music to Bollywood and to India. I want the whole world to listen to my music.” Her versatility has earned her far-reaching Bollywood credits as well as lead roles in the groundbreaking theatrical stage productions Mughul-E-Azam and Umrao Jaan Ada. She is now more dedicated than ever to pursuing her own global vision in her latest collaborations with Deepak Pandit for Sufiscore.
Her previous outing, Bole Naina, is a collection of Pandit’s original compositions, brought to life by Baghel’s winning voice and featuring the legends Zakir Hussain, Gulzar Sahab, and more. Inheritance, by contrast, draws on traditional thumris — material in the public domain, passed down among the generations, with melodies that are “very popular among the nation and very musically rich,” Baghel says. “When we decided to do this, Sufiscore gave us the full liberty to do whatever experiments we wanted. They supported us in all possible ways.”
Over five years of working together, Baghel and Pandit have nourished their like-minded sensibilities and created something special, reflected as never before with Inheritance. “Pratibha has an abundant knowledge of Indian and Western Classical music,” says Pandit, “and her versatility makes it easy because she can readily sing all the leads and all the improvisations that I envision. In order to stand out from what musicians have been doing with thumris and ghazals for the past century, I’ve made the use of synths combined with modern orchestration, and we’ve added harp, dulcimer, and the standout bluegrass instrument, banjo, in combination with the dotara, saz and dumbak. It all comes together through the subtle use of synth pads and arpeggiators. I’ve only added the electronic sounds where necessary, never overdoing it or taking away from the traditional impact of these tunes.”
Baghel points out that the four tracks are all thumris, sung in Hindi, composed in the structure of Indian classical ragas. They are a form of mildly erotic poetry in which “the words are not very important,” Baghel explains. “The music and the nuances are way more important. You cannot change the tune — you stick to the tune as it was composed, but then you can improvise it the way you want and add your own elements. We can have two or three lines and keep on singing a thumri for 20 minutes or an hour. You can keep improvising it, you can emote it, sing it the way you want, have alaps [out-of-tempo introductions], tans [fast scale passages], layakari [rhythmic virtuosity], and all of that. Ghazals are much more word-related, and they don’t belong to any Indian classical genre.”
Throughout, elements of Western chordal harmony are laid down by pianist Gaurav Vaswani (serving as co-producer to Pandit), to combine and synergize with the propulsive rhythms of Prashant Sonagra on tabla and the string tapestries of Tapas Roy as well as Pandit himself on violin (the instrument on which he’s renowned). In addition, Pandit crafted large-scale orchestrations and sent them abroad for rehearsal and eventual recording by the master musicians of the Budapest Symphony Orchestra — an involved but richly rewarding process that brought the music of Inheritance into a bigger sonic space.
