<span class=normal>He always maintained that he would like the VFX of the film to be simple and slick<BR><br><p class=clear>&nbsp;</p>Apart from the scenes that we augmented, we had a decent amount of cleanup and ire removal shots, Digital matte paints. A lot of digital matte paintings were made specifically for the seafront shots, where had to make the environment look like it was shot at Worli sea face. <br><p class=clear>&nbsp;</p><amp-img width=1.33 height=1 layout=responsive src=https://images.bollywoodhungama.com/img/feature/12/dec/vfxtalaash13.jpg></amp-img><BR><BR><br><p class=clear>&nbsp;</p>While on set where I worked along with K.U Mohanan, director of photography of the film, he briefed me from the time we began shooting the film which was unanimously clear. He always maintained that he would like the VFX of the film to be simple and slick. A gem of a person to work with, Mohanan sir is a master in what he does; he personally supervised all the VFX shots which really helped us in achieving the desired quality.</span>