<BR><BR>Gateway of India crowd multiplication<BR><BR><br><p class=clear>&nbsp;</p>With Singham Returns, Rohit Shetty became the first filmmaker to shoot at the Gateway of India, after the terror attacks of 26/11. Although the support his film received from the police force did go a long way in aiding the acquisition of permissions, it was not by any means an easy shot, The Gateway sequence was something that we usually do, in terms of crowd multiplication and matt painting. However it was a bit tricky since its a night shot, so on one hand we had a small crowd gathered that had to be well lit and multiplied and on the other, the façade of the Taj hotel that had to be brightened as well. Maintaining an equal light level was crucial, explains Naveen. <BR><BR><BR><br><p class=clear>&nbsp;</p><amp-img width=1.33 height=1 layout=responsive src=https://images.bollywoodhungama.com/img/feature/14/aug/singhamr3b.jpg></amp-img><BR><BR><br><p class=clear>&nbsp;</p><amp-img width=1.33 height=1 layout=responsive src=https://images.bollywoodhungama.com/img/feature/14/aug/singhamr3c.jpg></amp-img><BR><BR><br><p class=clear>&nbsp;</p><amp-img width=1.33 height=1 layout=responsive src=https://images.bollywoodhungama.com/img/feature/14/aug/singhamr3d.jpg></amp-img><BR>