Rawail was walking on needles, panting and sweating. So he got the sets cleared of the journalists, who were there deliberately to watch those scenes, for so much had been blown out of proportion that we had fallen apart. The opening shot was a romantic scene. It was quite embarrassing as the director asked me to sit next to Dilip saab. He did not know how to face me, but he was very formal and cordial. So was I. It doesnt show in the film because both of us were absolute professionals. The whole thing was funny, as we were not on talking terms, and we had to enact the scene so realistically. He was supposed to be holding me. Anyway, we both wanted to get it over with. So as soon as the rehearsal got over, the director said, Malaji, shot karein kya? and I gave the shot. He was so scared that I might just leave. Rawail saab saw to it that he completed all my solo shots and the combined ones with Dilip saab before 6 pm, and my shooting got over. <BR><BR><br><p class=clear>&nbsp;</p>Youve to be so precise when you are putting on an act, and it was precisely film acting that I was doing. Here was another lesson in core professionalism that one had to remain focused despite any misunderstanding with the co-star. If I have to do a shot, then I should only think about the shot, and my personal feelings or problems should not come into play. Since we are trained to switch on and switch off, nothing should linger on. Just do your job and not get emotionally involved. Thats professionalism! And here was a sterling example. I did my dubbing and the film got over.<br><p class=clear>&nbsp;</p>