<span class=normal> Sam knew what he wanted and did not waste time<BR><br><p class=clear>&nbsp;</p>Talking about the challenges augmenting VFX for the film Jon says, The Komodo sequence was the most challenging sequence especially when the Komodo is shown in the close up shots, getting the loose skin around the neck to react realistically and having the feet interact with the ground was challenging. The shot where the Komodo moves in for the leg bite was particularly difficult because it was so close up. The neck is not visible in the shot, as a result there was very little to animate to make the shot interesting; we concentrated on the eye blink and subtle saliva stretching as it opens its mouth, we also used lighting to give a dramatic look by adding a rim light. Sam knew what he wanted and did not waste time trying lots of different paths or variations. I liked the way he would involve the whole crew when talking through a scene with the actors, especially the train crash sequence.<BR><BR><amp-img width=1.33 height=1 layout=responsive src=https://images.bollywoodhungama.com/img/feature/12/dec/skyfall09.jpg></amp-img></span>