<span class=normal>Even before the film was shot, Bejoy was in constant discussion with Rohan Desai, chief colorist of the film, since Digital Intermediate (DI) was an integral part of the narrative of the film. Rohan said, We did several tests with different formats and camera footage to decide on the sensation of the visuals right from the beginning. The first part of the film was made to look energetic and spirited while towards the end the climax, it was darker and de-saturated as per the narrative of the film. The first song in the film Nasha was requisite to feel fresh and lively. The original colors of the film were enhanced to make the song look more stylized and glossy. Although towards the end, the sensation of the visual completely changes, the dream sequence where-in Kalkis character Amrita, recalls her mothers death required to have a very creamy look and feel to it. This shot was tricky, since it occurs in the middle of the climax. Apart from the visuals, one of the most taxing tasks was matching and grading the shots from four different cameras. <br><br> <br><p class=clear>&nbsp;</p></span>