<span class=normal> The focus and concentration on Krishna in the fight sequences was not missed <BR><br><p class=clear>&nbsp;</p>The action sequences were both challenging and exciting, elaborate aerial shots were composed for Krishnas fight scenes with tornado demon Trinavart and the crane demon Bakasur. Elements like smoke, cloud, dust, air, water etc., were made to interact with the character and visual effects were added to give the sequences a credible feel. Since Krishnas color being blue, we had a tough time positioning Krishna against backdrops of sky and water. Our Art Director had to ensure that the blues never merge and that Krishna stood out in every frame. Gazing upon the proportions of a character, the layout compositions aspect in the production phase was extremely challenging. Positioning Krishna against demons in certain instances that were fifty times his size, and to ensure that the focus and concentration on Krishna is not missed in the fight sequences was tricky. Shot divisions and the camera placements in the shots had to be dynamic enough to ensure that those sequences emerge as electrifying eye-candy. <BR><BR><br><p class=clear>&nbsp;</p> <br><p class=clear>&nbsp;</p>Krishna Aur Kans is indeed a ground-breaking film in Indian animation <BR><br><p class=clear>&nbsp;</p>We expect the movie to alter the general notion that animation is strictly content for kids; rishna Aur Kans has all the potential to position animated content in the mainstream family entertainment genre. Once we accomplish that, it will truly be the golden era of Indian animation that we all have been patiently waiting for. As for now, we want the audience to enjoy the adventures, the pranks and the wondrous feats that he accomplished in the first ten years of his life, till he overpowers and kills Kans. Krishna Aur Kans is indeed a ground-breaking film in Indian animation in every parameter. As for a sequel, let Krishna decide that for himself. </span>