Anuradha shares a piquant situation whilst designing. “I had this antique white, red, black odhna and Sanjay loved it on sight and said he would use it in a major song sequence. Then his production team called me and told that that since it’s been used in a boat song, I must have a duplicate ready, in case the original gets wet! How on earth do I get a duplicate of an antique piece?†she exclaims in mock horror. It took her all of four months and all her contacts to source out a “similar, if not exact’ odhna! <br><br><br><p class=clear>&nbsp;</p>“As a fashion designer, you are used to having complete creative control,†she says. “You can indulge all your whims and can afford to get carried away. But, for a movie, you have to create within certain boundaries. You need to do what is appropriate for the characters, the movie and be in sync with the director’s vision. In fact, all throughout this journey, I chose to see Sanjay Leela Bhansali as the master painter and myself as an apprentice who only mixes the colors!â€<br><p class=clear>&nbsp;</p>