<span class=normal>Animation<BR><BR> <br><p class=clear>&nbsp;</p>This is the next phase, where the animation curves on the graph editor are smoothed after adding the facial expressions for fluidity of the animated piece. The graph editor is an animation tool, which gives the animator the flexibility to control the motion and the rhythm of movement in animation. The nodes on the curves in the graph editor can be modified to suit the scenes requirements. During each process mentioned above, the respective department leads would approve the shots and then run it through me for an in-house approval before we ran it through with the director. Only on Kireets approval would we take the process forward. <BR><BR><br><p class=clear>&nbsp;</p><amp-img width=1.33 height=1 layout=responsive src=https://images.bollywoodhungama.com/img/feature/11/jan/tksh7.jpg></amp-img><BR><br><p class=clear>&nbsp;</p><p align=left class=normal>Animation Style and Live Action character integration<BR><BR><br><p class=clear>&nbsp;</p>A snappy cartoony animation style with squash and stretch principles were adopted for this film. The animation was executed with the style defined by Kireet. There were shots taken that complimented the film, such as the complicated action packed climax stadium scene, which had Jagaroo character interacting with Ajay Devgn. <BR><BR> <br><p class=clear>&nbsp;</p>Since the film involved the live-action characters interacting with the cartoon characters and vice versa, this definitely proved to be a complicated film. The animated characters had to replace the overlapping contact areas on the live-action characters. To match the live-action plates with the 3D scenes, objects were tracked. Animators had to ensure that CG elements werent sliding all over the place, this as taken care of in the blocking stage. </p></span>