<span class=normal>Everything was planned out during the storyboard phase<BR><br><p class=clear>&nbsp;</p>I finished writing the screenplay in January 2011, there after starting visual development. Rajesh Shakpal, the main key character designer worked closely with me to understand, what the characters were about and what they were looking for in certain characters. The entire film was hand drawn using Toonboom. With this paperless pipeline, weve adopted the classical animation style, where we emphasized a lot on the poses rather than the actions. The story-telling poses are rolled out in the animatic and storyboard stage, where our animators in Malaysia get down to animating the shots. Everything is planned out during the storyboard phase; with this the animators rarely go with animating the scenes using the straight-ahead method. Our pre-production work was a hand-shake between Malaysia and India, thereafter the production work was carried out in Malaysia from which the whole process was supervised and approved in India.</span>