<span class=normal> Even in the villains room there is a Ganpati idol present <br><br><p class=clear>&nbsp;</p>Suman Roy Mahapatra, a terrific production designer who has also done Peepli [Live] was on board with us. He is an extremely hard working individual. Even though we shot at real locations, he enhanced the set for the frame. He played with certain colour patterns to play the mood of the scene. If you look at Sawants story in the film, it had a jittery kind of feeling to it almost a vague feeling attached to it, as the film progresses it becomes more subdued and jittery. The audience will also feel that they are hurling towards the climax, whenever we see a certain frame besides the camera, we would want to enhance the colours in it. Suman quickly puts in some colour palettes in the frame to make a certain vibe emanate from the frame or a certain emotion like rage is conveyed through it. Even in the villains room there is a Ganpati idol present, the frame becomes interesting because Ganpati is worshipped by everybody, good and bad, ironically. Small touches such as this can enhance the narrative of the film immensely. <br><br> <br><p class=clear>&nbsp;</p> Interestingly, one of the things that we did for the film was the abrupt edits <br><br><p class=clear>&nbsp;</p> Ashmith Kunder- the editor, DK, and I were very hands on filmmakers; we were there for pretty much every shot and every cut. There was a simple setup for the editing, it was not a big studio. Interestingly, one of the things that we did for the film was the abrupt edits, some people call them sound cuts where you jump from one story to another. Visually it appears jerky but with the sound, you feel that you are pushed into the other story which adds to the chaos of the film. Every scene was extremely quick each almost had a minute or less, but at the same time you dont feel that it is choppy. We debated a lot on the editing phase to achieve the desired results. The films colour grading was carried out by Reliance Adlabs and the sound was mixed in Prime Focus. </span>