<span class=normal> It seems that Bollywood is surfing on a revolutionary cinematic wave of transformation, with new filmmakers breaking from norm and outshining and silencing their skeptical seasoned counterparts by churning out films like Shor In the City. The film is directed by the incredible filmmaking duo, Raj Nidimoru and Krishna DK of 99 Fame. The film is inspired by true newspaper incidents, with three stories put together based on the struggles, hope and despair. Talking about the tricky side to the film Raj says, The challenge lies in getting everybody on the same page, each individual has certain aspirations and expectations from the film, it is getting them to understand the vision of this film together. <br><br><br><p class=clear>&nbsp;</p>Everybody else approves and supports it because they also think that this is a great piece of cinema. When you start of making a film like this, then basically you are thinking that this is what makes a good cinema, it reaffirms your faith in the system, says Raj on the success of the film. Bollywood Hungama gets Raj Nidimoru (of Raj and Krishna duo), to shed light on portraying internal and external noises, breathing cameras, sync-sound and cheating for Shor In The City. <br><br> <br><p class=clear>&nbsp;</p> Suddenly one day, it made sense to do a film about Mumbai, where it turns out to be more of a meaningful fun thriller <br><br><p class=clear>&nbsp;</p>Krishna DK and I moved back to Mumbai after a long time. We were still working on our film 99, and back then we were absorbing the unique things that only happen here. In general, we were gathering several stories acquiring whatever was interesting with a specific idea in mind. Tusshar, DK and I use to brainstorm and see what worked for us. Suddenly one day, it made sense to do a film about Mumbai, where it turns out to be more of a meaningful fun thriller, but not a typical Mumbai film. The main aspect that was common in everything was the constant noise that we have amongst us, that talks about the external and the internal noise, which signifies that we are open to corruption, to the choices in choosing between good and bad. It makes sense to do a film called Shor In The City, where the people are influenced by the city and the people also influence the city. We made around ten drafts of the script, this took us about two years to finalize it was not something that we needed to finish immediately, we wanted to make a film that stands out and remembered through the testament of time, we were looking at a film that has a long life. </span>