<span class=normal> The foreground characters were required to be placed according to the depth we would make<BR><br><p class=clear>&nbsp;</p>With ABCD shot in stereoscopic 3D, the visual effects team at Pixion knew the technicalities involved with going ahead with the VFX process. By recording all the relevant details such as, camera and lens data, inter ocular distance etc. Indy who was the stereographer of the film, worked closely with viral to ensure the final depth of the visuals was locked. Talking about shooting, the VFX sections of the film, Viral says, This had to be visualized, because we were shooting the segments against chroma backdrops, and the depth of the foreground characters were required to be placed according to the depth we would make in CG. A lot of research and planning went into achieving the desired depth, sometimes this would not match according to the foreground live action plates, but eventually we achieved what Remo wanted.<BR><BR></span><br><p class=clear>&nbsp;</p><amp-img width=1.33 height=1 layout=responsive src=https://images.bollywoodhungama.com/img/feature/13/feb/abcdvfx5.jpg></amp-img></span><BR><BR><br><p class=clear>&nbsp;</p><amp-img width=1.33 height=1 layout=responsive src=https://images.bollywoodhungama.com/img/feature/13/feb/abcdvfx6.jpg></amp-img></span>