Kamaljeet Negi, the cinematographer and the colorist of the film (Prasad EFX didnt disclose his name) went through the footage and laboriously graded every scene with precision over the course of a month in the studios main grading theater. With the DI process, the team customized the handling of the digital formats that were fused with their pipeline in the widest colour and gamma space available, for the camera systems in question, using various input translations. This process gives the cinematographer and colorist a wide range of information to translate back to print film and the digital cinema package (DCP). This collaborative nature allows the team to contribute to the overall quality of the film.