The team at Prasad were involved right through the digital intermediate (DI), visual effects and the final deliverables process of the film. The project required an advanced workflow, since it was shot with multiple cameras. The pipeline which the team at Prasad EFX studios adopted, could handle all the camera formats in their raw native state during the DI process. The digital cameras that were employed during production of the film ranged from Arri Alexas Raw and ProRes, to the RED Epic and Gopro camera systems.