Check Out: The DI grading in Aarakshan : Bollywood News

Colors of the film

To enhance the power of Prakash Jhas story, Robert gives us a lowdown on the brief and rapport he shared with the director he says, I have had the pleasure of working alongside Aarakshans cinematographer, Sachin Krishn and Prakash since Khoya Khoya Chand in 2007. In that time, I believe we have all developed a strong understanding of what meets the mark in terms of quality. It is very difficult to explain, its just there. We all know the standard we all wish to set for the film and we all encourage together to push it further as technologies advance. The idea with Aarakshan was not to overwhelm the story or characters while, in some films that go through the Digital Intermediate (DI) process, a stylized look or tone is given. The audience had to connect with this powerful story and experience the amazing job done by the cast. In such a situation, my humble role is let the DI enhance the story, not create a stylized brick wall between the audience and the film.