<span class=normal> Prakash Jhas recent drama film, Aarakshan may not have broken box-office records last month but it has surely managed to garner a generous crowd to flock to theatres, making fifty-eight crores in its opening weekend despite being banned in three states. Prakash Jhas film sheds light on the fact that, caste based discrimination is still rampant and racism looms large over our modern ethnical heads. But apart from the sensitive subject of reservation, its the overall feeling and the colors of the film that manages to catch your eye. Pixion Studios have managed to enhance the narrative of the film by, executing the Digital Intermediate and the visual effects of the film. Renowned colorist Robert Lang was roped in to enhance Sachin Krishns cinematography in the film, Robert says, For this project I also supervised dailies during the shoot and would report back to Sachin ensuring him that everything looked great. With both of us working in sync the DI grading process was quite a natural process, each reel only needed one render before reaching the theatres. Some of the visual effects in the film included, picture in pictures (PIP), TV composites, chroma shots and clean ups. Bollywood Hungama gets the English born colorist, Robert Lang to give us a sneak peak into this intricate colour-grading process that intensified Aarakshan. </span>