<span class=normal>As these three films revived the importance of music ones again for a Hindi films, they also strategically contested the video menace by having a Cinemascope canvas and lavish filming of songs to which television screens could not do justice. The affluent classes returned to the movie halls to watch Aamir Khans cult Papa Kehte Hain and Madhuri Dixit gyrating to Ek Do Teen on widescreen with stereo. <BR><BR><br><p class=clear>&nbsp;</p>In 1989, the revival of melody was complete with Laxmikant-Pyarelals Ram Lakhan, Shiv-Haris Chandni, Raamlaxmans Maine Pyar Kiya and also Kalyanji-Anandji-Viju Shahs Tridev. <BR><BR><br><p class=clear>&nbsp;</p>Author: Rajiv Vijayakar</span>