By Apunkachoice, March 8, 2008 - 08:55 IST
'Black And White' deals with a very relevant issue in the times of terrorism and racial profiling. Not only does the movie gives a message of hope that terrorists could be reformed, it also questions the way the state goes about dealing with terrorism.
By BBC, March 8, 2008 - 09:04 IST
0 of 1 people found this review helpful Black and White proves Ghai isn't able to veer away from his tried and tested commercial formula.
By Buzz18, March 7, 2008 - 12:49 IST
1 of 1 people found this review helpful Full credit to Ghai and his courageous attempt at experimenting with a new genre and drastically changing his style of direction! It's an honest attempt, which would have fared better if the producers had not tried to commercialise the plot.
By Filmfare / Times of India / Indiatimes, March 8, 2008 - 08:59 IST
1 of 1 people found this review helpful With a social message appended to it, Subhash Ghai doesn’t delve into an arty arena with a preachy perimeter nor does he get fanatically filmi, inclined by commercial parameters. Black & White is neither disturbingly dark nor lucidly light. It’s somewhere in between. Perhaps gracefully grey!
By Filmikhabar, March 10, 2008 - 11:08 IST
Black & White talks about more colors than black and white. We always find it easy to comment on something without giving a thought towards it. It's just the way we are, and it's just the way we always have been. I got the chance to watch this movie and I feel more patriotic than ever before...
By Indya, March 8, 2008 - 08:53 IST
One of the main USP of Black and White is its good story by Varon B K Sharma which has been worked out well by Ghai and his team into a multi layered screenplay. His penned dialogues are well worded as well.
By Radiosargam, March 8, 2008 - 08:50 IST
In the light of good cinema wit richness of emotions and a fine story, Black & White is worthy of your choice of cinema this weekend.
By Rediff, March 8, 2008 - 08:49 IST
1 of 1 people found this review helpful This is a film of urgency, make no mistake, and both protagonist and screenplay talk only as much as is required. As for the director himself, he doesn't even make the obligatory cameo. It is the sentiment that plays hero.
