Behind The Scenes of AkaashVani

“Since railway stations play an important role in the film, this location was meticulously chosen to be a part of an integral scene. This photo was taken just before shooting the last and most important shot of the pre-climax scene. That day, Read More">there was a technical problem with the railway tracks about 1 km awayRead More

"Since railway stations play an important role in the film, this location was meticulously chosen to be a part of an integral scene. This photo was taken just before shooting the last and most important shot of the pre-climax scene. That day, there was a technical problem with the railway tracks about 1 km away from where we were shooting. And because of this, a very long goods train had to pass through the platform on which we were shooting instead of the regular track. That's why the train we were using had to go way too far ahead to be able to turn and come back. So we had only one take as the next take was possible only after an hour and a half. No points for guessing how many takes we took that day!"

“The adjoining snap has me in an intense conversation with Kartik just before a high octane dramatic running sequence. Kartik was required to sprint for this shot and was rehearsing for the same, Read More">assuming that we were setting up the camera. I did not want to interrupt Kartik in ‘his’ moment while he was rehearsingRead More

"The adjoining snap has me in an intense conversation with Kartik just before a high octane dramatic running sequence. Kartik was required to sprint for this shot and was rehearsing for the same, assuming that we were setting up the camera. I did not want to interrupt Kartik in 'his' moment while he was rehearsing for the scene. So, the DoP and I rolled the camera and got a perfect take in the rehearsal itself! Needless to say that it was really very funny to see Kartik's expression after that."

“Since we were not shooting one fine morning, Read More">Kartik utilized the entire day to prepare for his scene. He was very quiet all day and did not speak to anyone. He kept his phone switched off for most part of the day. Everyone in the crew was also informed of the seriousness of the scene.Read More

"Since we were not shooting one fine morning, Kartik utilized the entire day to prepare for his scene. He was very quiet all day and did not speak to anyone. He kept his phone switched off for most part of the day. Everyone in the crew was also informed of the seriousness of the scene. I have never seen such silence on the sets before. The whole atmosphere was gloomy. The silence spoke volumes that day and it worked really well for the scene."

“This snap was taken in the famous ‘Paranthewali Gali’ in Delhi. And since I am a big fan of the paranthas of this place, Read More">I took the actors with me to munch on paranthas after pack up on one of the shooting days. It was here that I conceived a sequence in the song ‘PadRead More

"This snap was taken in the famous 'Paranthewali Gali' in Delhi. And since I am a big fan of the paranthas of this place, I took the actors with me to munch on paranthas after pack up on one of the shooting days. It was here that I conceived a sequence in the song 'Pad Gaye Ji', for which I came back to shoot at the crowded location. Special permissions had to be taken and an extensive police protection was arranged for the shoot to be carried on in the centre of bustling Delhi. Despite all this, within a few hours of shooting, the crowd outside the market had outgrown the police arrangement and the shoot had to be wrapped up earlier than planned."

“This was the first night of shoot, and as luck would have it, the temperature dropped drastically and Delhi winters showed their truest unexpected form! The DoP took 4 hours for lighting up this area of St Stephen’s from evening till night! But when the actors came onto the sets and did their first rehearsal, Read More">Read More

"This was the first night of shoot, and as luck would have it, the temperature dropped drastically and Delhi winters showed their truest unexpected form! The DoP took 4 hours for lighting up this area of St Stephen's from evening till night! But when the actors came onto the sets and did their first rehearsal, it was clear that this was not going to be an easy shot. It was very difficult to even move in that chilly breeze, leave alone running and waving a 'chunni' with wind machines blowing at you! While we were all hiding under 3-4 layers of clothing and behind heaters, Kartik and Nushrat bravely gave the shot again and again till we got it right. Although we couldn't shoot anything else on that night, the result of this shot was more than satisfying!"