By Joginder Tuteja, May 11, 2004 - 15:39 IST
'Chot - Aaj Isko Kal Tere Ko' is the title (a rather innovative one) of this
Sanjay Thakur production that is directed by Nabhkumar 'Raju', an erstwhile
assistant of Sooraj R. Barjatya, who first held the megaphone for a 'Hum
Aapke Hain Kaun' clone 'Hum Tumpe Marte Hain' that starred Govinda
and Urmila Matondkar in the lead roles. After being criticized for unsuccessfully
trying out the style of his mentor, Nabhkumar 'Raju' took a break and started
work on an altogether different theme, that of underworld, with 'Chot' some
time back. The movie is finally ready for the release and stars Ashutosh Rana
(whose earlier films 'Pardesi Re', '2 October', 'Mission Mumbai'
- where he has played the lead hero - have failed), Sharad Kapoor (who is still
waiting for a big hit), Nethra Raghunathan (who makes a comeback after a long
break since 'Bhopal Express' and 'Thakshak') and newcomers Rohit
Ray and Jessica. Raju Singh, who recently composed for 'Charas' also
scores for 'Chot' while Sudhakar Sharma writes the lyrics.
When the promos on the small screen start with a bhojpuri number that
goes like 'Gayi Re Gayi Bhains Paani Mein', you know that the
music is supposed to cater to which segment of audience. Sung by popular bhojpuri
singer Sunil Chaila Bihari who is supported by Amit Kumar, Javed Khan and Richa
Sharma, this celebration track is set in a rural area from North India. Though
the song may appeal to a select few, it is catchy and is meant to be heard and
sung only in the limited areas of the 'cow-belt' territories. The song doesn't
have anything for the all-India audience and may in fact meet with diverse reactions
by those who are the staunch followers of Bollywood music. Campus crowds, whose
heart beat for trendy and up-market music will completely show their backs to
this number. This is perhaps the reason that a remix of the same track also
appears as 'Radio Mix' in order to woo the youngsters but still
to no avail!
A unique feature of this album is that it actually begins and ends with the
instrumentals 'Intro' and 'Outro' that have also
bits and pieces of dialogues from the movie thrown in. Both the instrumentals
have shades of 'Enigma' and convey the dark theme of the movie. This is also
reminiscent of the background music of 'Company' that appeared as instrumentals
in its music album.
There are two love songs in the album - 'Paani Re Paani' and
'Tere Har Sapne Mein Rang Bharoon'. Chances are remote that any
of the tracks may feature even in the 'Top 20' countdowns primarily because
of low key publicity, unknown banner and star cast but nevertheless the songs
are not bad either, if not remarkable. 'Paani Re Paani' is sung by Adnan Sami
and Sunidhi Chauhan and has holds-no-bar exposure by Jessica! Picturised on
a beach, it is listenable song with nice dose of sensuality. Adnan Sami is good
while Sunidhi is as usual. 'Tere Har Sapne' is the better of the
two and justifies the claim that Sonu Nigam is always good regardless of the
banner or the theme of the movie. Shreya Ghoshal is competitive as well and
the song may have been a good bet had it been composed for a better-known star
cast. Nevertheless, it is a fine song to be heard that doesn't really make you
go for the 'forward' button.
In between these love songs, instrumentals and a bhojpuri song, there
is also a painful song of separation 'Jaana Hi Hota Hai Agar'.
Sung by Pankaj Udhas, who sings a film song after a hiatus, it is about a guy
who is in sorrow because of the loss of his near and dear ones. While the major
part of the number is sung by Pankaj Udhas, Vinod Rathod emerges towards the
end of the number and croons a cry of rebellion. A situational track, it just
passes muster!
Since there were never any expectations from the music of 'Chot', there
was no disappointment when the album ended. In fact a couple of minor pluses
come out in the form of 'Paani Re Paani' and 'Tere Har Sapne
Mein'. With the variety of good music available in the stores today,
it won't be surprising to see 'Chot' also disappearing soon as an 'also-ran'.
At best, the 'cow-belt' may lap on to 'Gayi Re Gayi', but that's
it!
   
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