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Rishtey (December 6, 2002)

 
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  Music Reviews  
By Joginder Tuteja, November 16, 2002 - 16:12 IST

Suddenly relationships seem to be the IN thing. First Ek Rishta, then Dil Ka rishta and now Rishtey. Interestingly Rishtey was the title that producer director Indra Kumar was very keen to use a few years and had planned to cast Big B, Aamir Khan and Madhuri Dixit in the film by the same title. But the project didn't work out and he directed Mann and Aashiq subsequently. Though his first four directorial ventures - Dil, Beta, Raja, Ishq were super duper hits and when it seemed like everything he touched turned into gold, he came up with blooper like Mann and even a bigger disaster called Aashiq.

He brings together Anil Kapoor from Beta, Karisma Kapoor from Aashiq and Shilpa Shetty for the first time for his typical commerical potboiler - Rishtey. Also starring is a child artist whose rendering of 'I Love You Papa' is heard every time Anil ji is shown down and out. Ashok Thakeria is the co-producer with Indra Kumar whereas newcomer Abbas Katka makes his debut as the lyricist. Sanjeev Darshan who made their debut with Mann for Indra Kumar are repeated for Rishtey. Music of Mann was HIT, let us examine whether Sanjeev Darshan (SD) have been able to repeat the success.

'Har Taraf Tu Hi' is the best track of the album with a very impressive orchestra. Full marks should go to SD and the song arranger Ranjit Barot for this. A 'Different' and an 'Unconventional' composition in true terms, it has Shaan and Mahalaxmi in wonderful touch. Lyrics by debutante Abbas are fresh as well that heighten the intensity of the track. This track should further establish Shaan's way to the top of the tops. Another sure shot popular number should be 'Deewana Deewana' which is sung with full josh by unstoppable Sunidhi Chauhan. A love song, this tune is fresh as well and one should give credit to Indra Kumar, who has a flair for good music, for extracting such work from SD who have been having a lean patch with continuos duds so far. The same track Deewana Deewana is repeated by Udit Narayan as well but it is Sunidhi's version which one may like to hear again and again.

'Rishta Tera Rishta Mera' has Udit Narayan singing in the same style as he has been doing for all Indra Kumar movies - FULL THROATEDLY. The song is above average but won't be on the lips of all as it is not in true terms - ROMANTIC. It's mainly relationship-centric and could be between two lovers or between parents and a child. A very short slower version of the same also appears as a solo by Udit Narayan. Another even shorter version is sung for a child by Neha and it is hardly two lines. 'Dilbar Dilbar' is an item number by Asha ji and is again an average track. It is composed mainly to attract audience and may not be holding much of an importance to the movie as 'Rishta Tera Rishta Mera' and 'Har Taraf Tu Hi' do.

'Apun Ko To' by Sunidhi Chauhan and Sanjeev Rathod is a tapori song with a difference, what with a female taking center stage as a tapori than a male (as has the trend been). There is a good dose of 'apun', 'ishtyle', 'saala', 'bedhu' and stuff alike by lyricist Sumit and may seem good on the movie. In all probability, the song may be picturised on Shilpa Shetty as it suits her to the T. As was an Arabian tune based song, 'Kali Nagin Ke Jaisi' in Mann, there is an undercurrent of Arabian tune in 'Yaara Re Yaara Re' by Sonu Nigam and Kavita Subramaniam (who is a regular in Sanjeev Darshan's compositions) in Rishtey. An absolute time pass number, don't look for any great lyrics or music in this one. Just listen to the song, enjoy it while it is played and then forget it later. No holding power here !! 'Apna Bana Na Hai' and 'Tu Tu Dil Mein' are another typical love songs by Udit Narayan and Anuradha Paudwal. Nothing great shakes about them, they pale in comparison to some other good tracks in the album as mentioned earlier.

So far the promos have been interesting enough with Anil Kapoor always battered and bruised in his boxing ring and Karisma looking depressingly tense every time the camera focuses on her. No offence meant but this kind of beginning of promos has raised up the curiosity level of the cine-goers. Introduction of Shilpa Shetty in the promos has livened up the proceedings and it is to be seen whether Rishtey can bring the gloomy film industry out of the doldrums.

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