Subhash K Jha on the ups and downsides of Anwar 
By Subhash K. Jha, January 13, 2007 - 06:01 IST
Lucknow… volatile, culturally rich, temperamental, poetic, dichotomous, ironical… somehow writer-director Manish Jha captures all of this with
brutal force in this deeply flawed yet moving tale of love and politics.
Anwar picks up a welter of headlines on communal strife and stores them in one turbulent but telescopic overview of existence at the fringes.
The focus of Jha's narrative is an old abandoned temple where a derelict-lover Anwar (Siddharth Koirala) takes refugee.
This innocent act of sheltering wounded love triggers off a bizarre chain of events. TV cameras simmer across the horizon, a film crew with an item
girl materializes on the spot, a wacked-out journalist (Rajpal Yadav) searches for George Bush's mobile number, wily politicians who are spurned by
women and constituencies walk across Jha's crowded canvas creating a tempo and temperature that is at once intriguing and provocative.
Jha who earlier made that unbearably gruesome film on female foeticide and mass rape Matrabhoomi, here turns vaguely lyrical.
Anwar is partially a political parable and partly a love story. I'd rather see the politics that envelopes the entire murky skyline as an offshoot of the
love story about the tender and sensitive Anwar whose love for the girl next door Mehroo (Nauheed Cyrusi, suitably sweet and tragic) is
thwarted by a Hindu boy (Hiten Tejwani).The triangle builds up into a frightening deadlock culminating in three deaths one after another.
Anwar is a dark and wounded work. Its creditable plot-line is largely unsupported by any marked pockets of tenderness or sensitivity from the
fringes. Every character has a story to yell... and I do mean yell.
Manisha Koirala playing a Barkha Dutta-styled TV -journalist speaks to her weeping repentant lover (Sushant Singh). A troubled cop (Yashpal
Sharma, competently compelling) has a terminally ill wife and whiny daughter to deal with while trying to flush out the poor 'terrorist' from his holy
hide-out. And a slimy Hindu chauvinist (Sudhir Pandey) comes down on Valentine's Day revelers because he has just been snubbed in his
extra-marital affair.
All these headlines hardly hold together the brittle plot. The sharp edges stick out creating more ideological chaos than any definite denouement to
the tangled plot. Adding to the prevalent muddle is a beggar-charlatan-actor (Vijay Raaz, parodic and passionate) who thinks love is the most
precious gift in the world.
What holds together is the central theme of love during times of communal conflict created not by rioters but within the domestic lifescape. Young
Koirala's character gently nudges Aamir Khan in Deepa Mehta's 1947: Earth.
Jha uses granite locations (supposedly Lucknow) and mythological allusions with equal sincerity. He avoids overt sentimentality. But ends up
creating unconscious folds of tender feeling within the dilating communal canvas.
In the week of the epic Guru, let's applaud this small but significant film about scarred souls trying to come to terms with a socio-political scenario
that leaves no room for human values.
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'Anwar' first screening held
